“Daddy, what happens to Good Ideas when they Die?”

“Well son, some of those ideas just disappear, never to be seen again. But sometimes those ideas – you know, the really extra special good ones…well, they live on forever kiddo. You see son, there ain’t no point in just letting a good idea die in vain. Heck, it wasn’t the ideas fault that it died. No sir. So we immortalise them the only way we advertising folk know how – in a retro 1970s Viewmaster toy.”

Check out our “Good Ideas that Mostly Got Away” Viewmaster next time you’re in our reception.

Dream Big.

Personally I don’t think I ever ‘solved’ a Rubik’s Cube – even though I am totally a child of the 80’s!
But I also never thought of using it to create a brilliantly unusual piece of artwork the way Pete Fecteau has done here.
Entitled ‘Dream Big’ Pete used 4,242 original Rubik’s Cubes to create a mosaic of Dr Martin Luther King.
The construction process took him approx 40 hours to complete and he came in the top 50 out of over 1,700 entrants world in ArtPrize 2011…which is quite an achievement.
He’s a designer from Michigan and it was while volunteering with registration duties for the ArtPrize (the world’s largest art competition) that he woke up one morning with the idea of using the Rubik’s Cube to create something.
Dare I say it he may have….wait for it….’had a dream’…?
Check it out below…

On Your Bikes Ladies

Thinking about ads for slimming/low cal products and came to the conclusion …aren’t they all pretty much the same?
A pretty girl, in a nice pretty (red?) dress and some happy music..
But, how do you engage young women in a very simple product that is good for you and at the same time make it great fun.
Something that makes an impact, is memorable and PR’able.
This is not an advertisement, it is a powerful piece of brand engagement.
And it’s cheeky (…actually Gerard Butler came to mind for some reason?)
We love it.
See what you think?

Animation that matters

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With a lot of ads going down the animation route these days our screens are being bombarded with many different styles, some good and some not so good (we won’t mention names!). Like everything else done well they can be very effective. Here’s a short, animated film about Thin Lizzy front man Phil Lynott made by a very talented friend of mine Conor Ryan. It was done for the Music Matters campaign. It’s simple yet beautiful.

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Conor is a freelance Character Animator from Dublin based in London. I was very impressed when I first saw his animation for Oasis – The Masterplan . In my eyes he nailed the swagger of that ‘beady-eyed’ Liam Gallagher. You should check out his character animation reel too, it’s well worth the look.

Anyone for a game of tennis?

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Yes, it’s that time of year again, when we all dust off our whitest whites and go outside to hit a tennis ball against the house, dreaming of being the first Irish Wimbledon Champion. Hey it could happen! Okay maybe not for me, but it could happen for the thousands of Irish kids taking part in Shreddies Park Tennis sessions around the country.

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This great initiative has been going for a long time, and for the last 21 years, it has been proudly sponsored by KitKat, but this year, Nestlé Cereals came to us with a brief to create some buzz around the fact that Shreddies now sponsor Parks Tennis.

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First up, we created a logo for Shreddies Parks Tennis; it’s fun and it brings the product and tennis together.

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SPT 1977 Process

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Our whole campaign is aimed at all the Mums out there wondering what to do with the kids for the Summer, and in a very tongue-in-cheek tone, it’s about discovering your own little tennis star. Our ‘tennis pros’ have been photographed in over the top heroic poses, and dressed to resemble the famous tennis stars Rafa Nadal and Serena Williams.

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Continue reading

Choosing The Look You Love

 

matt-whitby-blogpicIn 2006 & 2008, we produced a series of can designs for Diet Coke which expanded our creative thinking behind our campaign line: ‘Do your thing’. In effect, these four cans became mini-outdoor postings and helped to bolster the campaign on-pack.

 

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One of the key learnings was the medium itself, designing on-pack has many more ink and print restrictions than traditional processes, simplicity is at the heart of a great can design that can shout louder than its competitors in the cooler cabinet. We also learnt that consumers each had their favourite design and would actively seek these out. Moonlight and Eye were the favourites. For Diet Coke drinkers, it is all about the can. They rummage to the very back of a cooler to find the coldest – and have a great deal of loyalty to its iconic design.

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Moving into the second year, we took these learnings and created six new can designs that would each appeal to our audience in different ways. We treated the cans as fashionable accessories allowing the consumer to choose which can they prefer on shelf. The addition of the ‘Choose the look you love’ further strengthened this link with fashion. The can designs themselves were based on current fashion trends, for example lace and animal prints were very much in vogue.

 

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The cans were an unbelievable success and created unbeatable coverage and talkability for the brand. People were actually collecting the complete set of cans which had a permanent home in the top of their fridge.

Outdoor to support the launch had immense cut-through and recall with consumers. Polka Dot, Zebra and Flock were used on 48 sheets, 6 sheets and Phone Kiosks.

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The final year for ‘design can’ was 2008. With the introduction of new branding guidelines, the cans were simplified even further. A suite of six designs were created with the inclusion of the two most successful can designs from the previous year: Polka Dot and Zebra.

These designs really pushed what was achievable on-can with the print process. Metallic colouring was employed to great effect, especially on the Hawaiian Floral and Paisley patterns. An understanding of a restrictive print process and an insight into core drinkers made ‘design can’ hugely successful.

 

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