Calling All Artists

andrea-galligan2blogwhiteTo celebrate Three’s new ‘brand look’ we launched a creative competition today to find the hottest new illustrative talent in Ireland. There are fantastic prizes for the winners (€2k and an i-Phone 4 for the overall winner, and €500 for the 3 runners up) as well as the chance to have their work showcased in up-coming Three campaigns.

 

Three have already commissioned local Irish illustrators for forthcoming projects and would love to supplement this work with up-coming Irish design graduates and new illustrative professionals. We are also super chuffed that BRENB (Mr. Offset himself) is on board as judge and mentor to our young upstarts.

 

http://www.iloveoffset.com/welcome/
http://www.alwaysreadthesmallprint.com/welcome/

 

The competition is now open and entrants can up-load their work to www.three.ie/blankcanvas. All entrants work will be showcased on the site.

Winners will be announced in April and an appropriate soiree will be arranged, full details of which to follow!

Look out for a blank canvas in a bar or art college near you…

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Above: Photocall with the judging panel in GBS this morning (Shay Madden – Creative Director with McCann Erickson, Elaine Carey – Sales and Marketing Director for Three and BRENB/Bren Byrne – Illustrator and director of The Small Print)

Bake Off

Its that time of year ..no not the General Election…the McCann Annual Bake Off.
Funny how this started as a little cookery bragging over lunch one day – and has turned into an annual and much rivaled ‘Bake Off’.
We’re a very competitive Agency right through to the core folks!
The lovely people at EasyFood were on board again this year and sponsored our internal efforts to show case our baking skills, and said that the standard was even higher this year.
With a range from delicious Cranberry Flapjacks to Lemon Drizzle Cake and Baked Lemon Meringue Pie. And we had very creative entries of ‘Spag-Bol’ (good man Dave!)…and an ingenious Pie Chart Cheesecake Pie (apparently lemon flavor came out tops in Ciara’s poll for this one – now THERE’S something we all didn’t mind voting on!).
The eventual winners were a very worthy Milk Chocolate Biscuit Cake (with marshmallow and homemade biscuits) made by Nuala Anne’s fair hand.
And a delicious Butterscotch Baby Bunt with homemade caramel icing was presented by Maxine – who incidentally was initially a founder of this prestigious competition – and has enthusiastically ensured the tradition was continued.
A little bit of light hearted fun – over a Friday lunchtime – with yummy cakes for all to sample..?
Gets my vote every time !
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Krakow Artists Book Show

david-bowen-blogI was recently invited to Krakow to take part in an artists book exhibition called “Some books are to be tasted”. There were books from around the world on display. From books that could take pictures to architecture books reconstructed into mini cityscapes. It was a fascinating show with some incredible work – see link below.

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My contribution was a book based on ‘the troubles’ in Northern Ireland. ‘Open Book’ is 3,550 blank pages each representing a person who lost their lives in the 35 year conflict. The years are represented by red ribbons and it’s bound in white linen. It was quite poignant to have it shown in a city which has known terrible conflict.

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Photo by Galeria Camelot & FIM.

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See more on the exhibition here: http://www.flickr.com/photos/camelot_galeria/page3/

Building happiness

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We’ve been getting a great response to our Coca-Cola ‘Open Happiness’ eboy campaign with a lot of people curious as to how it was created, here’s a short video that shows the development from initial pencil sketch to final artwork which we hope you’ll enjoy!

 

 

Our Belfast and Dublin cities will also be featured in a book on illustration by publisher’s Laurence King, so watch this space!

Ridiculously sociable

shay-madden-blog2 Here’s some new international work we’ve just done for Irish Mist. The clients (Nora McNulty and Kevin Abrook from C&C) wanted to re-launch this whiskey liqueur in an elegant new bottle to a younger audience. Their main objective was to show the versatility of the product itself.

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Irish people are known the world over as being incredibly social. We’re known for our natural ability to get on with others. Our simple idea was to show how easily Irish Mist mixes with other elements (ice, cola, lime etc.) to create the perfect drink under the tag line ‘ridiculously sociable’.

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Eboy makes you happy

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We have just posted Coke’s ‘Open Happiness’ eboy outdoor campaign and we are more than happy about it!

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Eboy Dublin outdoor ran last year and was loved by teens – in fact the response was so strong Coke posted hundreds of posters to die-hard Coke fans. Teens connected with the fact that their city was given such local relevance especially by a big global brand like Coca Cola; so with this in mind we commissioned eboy Galway, Cork and Belfast illustrations.

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Now that’s what I call truly interactive media

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For the second time in a week I find myself writing about McDonalds. I haven’t been this enthusiastic about the brand since I was a child. But once again they have developed a wonderful piece of outdoor activity, proving that hugely effective consumer interaction is not restricted to on-line channels.

 

McDonald’s have taken their iconic permanent outdoor site at London’s Piccadilly Circus and created an interactive LED sign that lets passersby pose from a distance to create optical illusions like wearing a bowler hat or holding an umbrella or a bouquet of flowers. This brilliantly taps into the knowledge that this is one of London’s most popular spots for tourist’s holiday snaps and gives consumers a little something extra to remember their trip to London by.

 

 

In addition to the site itself McDonalds have set up a Flickr group to allow people to share their photos and a fan page on Facebook to deepen the engagement with consumers. All in all this is a very clever use of a site that could easily have become wallpaper and given McDonald’s real cut-through in probably the most cluttered advertising space in the world.

 

See the Flickr Pool here.

Hitting them where it hurts

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In what is a perfect piece of comparative advertising for these recessionary times, McDonald’s in the U.S. have capitalised on Starbucks’ reputation as the home of the $4 coffee.  

 

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In doing so they have have reinforced their own value for money credentials while giving a major competitor a kicking, without even having the decency to help their awareness by naming them. Nice work.

JD Quench (and Sprite) step outside

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This has been such a fun project to work on from start to finish – beginning with the Thirst Never Wins Online / TV work last summer and now with this print campaign.

 

Creating an imaginary back catalogue for J.D. Quench just makes me laugh. I love the idea that this forgotten giant of D-Movies appears to have spent his entire career in a series of Sprite Film Productions with entirely similar plots.

 

‘Mouth of Fire’ takes J.D. to the Orient. In my mind the film was shot in Chinatown, L.A. in 1973; they never would have had the budget to travel. No doubt J.D. himself would have put in at least two days martial arts training in advance of filming (he was never a great believer in ‘method’ acting). The plot would have revolved around J.D. overcoming a nasty Chinese ‘T.H.I.R.S.T.’ gang with his specially adapted Sprite nunchuck – all accompanied by very, very loud; very, very badly synched sound effects.

 

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‘The Elemonator’ would have been much maligned on release but then go on to be considered a hugely influential Sci-Fi classic when re-assessed years later. Here J.D. is sent back, from the future, to 1974 (conveniently!). His mission would have been to prevent an alternative global future where people would have been denied the thirst quenching qualities of Sprite forever: something just not worth thinking about.

 

I would guess there might have been some groundbreaking (read: really dodgy) special effects throughout.

 
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Movie credits where they are due – these posters were illustrated by Bruce Emmett through the Folio Illustration Agency in London.

 

Read the full story here.


The ISPCC Cries Out For More Help

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The Irish Society For the Prevention of Cruelty to Children has a major problem: it simply cannot handle the number of calls it gets. Through our previous work with Cheerios sponsored Childline Breakfast Together Week, we learnt many of the serious issues facing the ISPCC on funding the Childline service, such as the fact that as much as 50% of calls to Childline go unanswered.
Simply put – serious cries for help tragically fall on deaf ears for no other reason than lack of funding. To help people understand this situation and dig deep for a truly great charitable organisation we made this film for them. Shot and produced for nothing, the idea is simple and extremely effective.
This is the ISPCC’s very first television commercial. Directed by Richard Chaney, the ad dramatises exactly what underfunding means to the ISPCC and the children who need its services.
Please click here to donate www.ispcc.ie We greatly appreciate your contribution. Dig deep people – charity begins at home.

 

 

Thank you to everyone who gave their valuable time; Speers Films, Jonny Speers and Richard Chaney and the guys here; Laura, Ray, Emma, Leona, Jono and Martina.

Heineken Glory Lives On…

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The return of the Heineken Cup gives us another chance to look at our recent Heineken Cup spot “Field of Dreams”.
Set in the year 2028, it follows a documentary crew to a disused stadium to interview the old groundskeeper. While he reminisces about the great games he’s seen on this sacred turf, the crew are disturbed to see that ghostly presences still play out great moments from matches, proving that “Greatness Lives On”.
Shot over one very cold and very long night in the east end of London by Knucklehead’s directorial duo Zak & Dan, a massive amount of effort went into the Art Direction of the Stadium. Huge sections of the stands were carefully dressed providing a believable disused stadium that has fallen into disrepair, while the pitch was covered in overgrown sections of turf cut from a local piece of land. To create a sense of realism around the action, the players were captured on a hand cranked camera so that the film could be double exposed to create the ghostly effect, while the post production was handled in Framestore, London. Finally the performance by veteran actor John Nolan provided brought a sense of warmth and nostalgia to the ad.

 

Cervical Check – A Timely Reminder

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Developing a campaign to encourage the adult female population of the country to sign up for the National Cervical Cancer Screening Programme was a daunting task. So it’s fitting that the actual production of our ad was one of the most technically complicated productions of our experience.

 

The concept itself was a simple one, show a woman slowly changing on the outside, growing older, as she explains that she is also changing on the inside and as a result needs to be regularly screened by CervicalCheck.

The practice of aging someone on camera from 25 to 60 proved to be anything but simple. The director Simon Levene, brought onboard the expertise of post house Finish. The plan was to do it completely with CGI and not resort to make-up or prosthetics. 

 

The first challenge was finding our woman. In reality we needed three women, who looked incredibly alike. We cast for families, we needed three generations of one family, who bore a strong resemblance to each other, and who were all also comfortable in front of the camera. The three women we finally cast were from the same family, a grandmother, daughter and granddaughter. 

 

 

We filmed the ad on location in a park in Bray and also Ardmore Studios. We had to film the women speaking to camera against a green screen, as we needed to control their movements and distance from camera as much as possible. Finish took this footage and basically morphed the three women together, painstakingly painting out hair, and moving eyes, noses and lips between each frame. The face is constantly changing; it’s never any one of the women, but more a combination of all three. 

 

We’re so pleased with the final ad, it’s just mesmerizing and more importantly it dramatically articulates the need for women to be regularly screened for cervical cancer.

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