Calling All Artists

andrea-galligan2blogwhiteTo celebrate Three’s new ‘brand look’ we launched a creative competition today to find the hottest new illustrative talent in Ireland. There are fantastic prizes for the winners (€2k and an i-Phone 4 for the overall winner, and €500 for the 3 runners up) as well as the chance to have their work showcased in up-coming Three campaigns.

 

Three have already commissioned local Irish illustrators for forthcoming projects and would love to supplement this work with up-coming Irish design graduates and new illustrative professionals. We are also super chuffed that BRENB (Mr. Offset himself) is on board as judge and mentor to our young upstarts.

 

http://www.iloveoffset.com/welcome/
http://www.alwaysreadthesmallprint.com/welcome/

 

The competition is now open and entrants can up-load their work to www.three.ie/blankcanvas. All entrants work will be showcased on the site.

Winners will be announced in April and an appropriate soiree will be arranged, full details of which to follow!

Look out for a blank canvas in a bar or art college near you…

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Above: Photocall with the judging panel in GBS this morning (Shay Madden – Creative Director with McCann Erickson, Elaine Carey – Sales and Marketing Director for Three and BRENB/Bren Byrne – Illustrator and director of The Small Print)

Animation that matters

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With a lot of ads going down the animation route these days our screens are being bombarded with many different styles, some good and some not so good (we won’t mention names!). Like everything else done well they can be very effective. Here’s a short, animated film about Thin Lizzy front man Phil Lynott made by a very talented friend of mine Conor Ryan. It was done for the Music Matters campaign. It’s simple yet beautiful.

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Conor is a freelance Character Animator from Dublin based in London. I was very impressed when I first saw his animation for Oasis – The Masterplan . In my eyes he nailed the swagger of that ‘beady-eyed’ Liam Gallagher. You should check out his character animation reel too, it’s well worth the look.

Choosing The Look You Love

 

matt-whitby-blogpicIn 2006 & 2008, we produced a series of can designs for Diet Coke which expanded our creative thinking behind our campaign line: ‘Do your thing’. In effect, these four cans became mini-outdoor postings and helped to bolster the campaign on-pack.

 

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One of the key learnings was the medium itself, designing on-pack has many more ink and print restrictions than traditional processes, simplicity is at the heart of a great can design that can shout louder than its competitors in the cooler cabinet. We also learnt that consumers each had their favourite design and would actively seek these out. Moonlight and Eye were the favourites. For Diet Coke drinkers, it is all about the can. They rummage to the very back of a cooler to find the coldest – and have a great deal of loyalty to its iconic design.

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Moving into the second year, we took these learnings and created six new can designs that would each appeal to our audience in different ways. We treated the cans as fashionable accessories allowing the consumer to choose which can they prefer on shelf. The addition of the ‘Choose the look you love’ further strengthened this link with fashion. The can designs themselves were based on current fashion trends, for example lace and animal prints were very much in vogue.

 

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The cans were an unbelievable success and created unbeatable coverage and talkability for the brand. People were actually collecting the complete set of cans which had a permanent home in the top of their fridge.

Outdoor to support the launch had immense cut-through and recall with consumers. Polka Dot, Zebra and Flock were used on 48 sheets, 6 sheets and Phone Kiosks.

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The final year for ‘design can’ was 2008. With the introduction of new branding guidelines, the cans were simplified even further. A suite of six designs were created with the inclusion of the two most successful can designs from the previous year: Polka Dot and Zebra.

These designs really pushed what was achievable on-can with the print process. Metallic colouring was employed to great effect, especially on the Hawaiian Floral and Paisley patterns. An understanding of a restrictive print process and an insight into core drinkers made ‘design can’ hugely successful.

 

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